![]() ![]() So far this is the best way I have found to achieve a high quality smallish MP4 file. ![]() I have found one reliable route to achieving a high quality compressed MP4 version - load the uncompressed mov file up to YouTube than when processed, download the file as MP4 - for a 30 something GB MOV files this results in a 290MB MP4 file with no noticeable compression artefacts. I totally understand, but for now you can just use the 'Render queue' (icon next to. MOV uncompressed (from which other compressed formats may be made as required).Īs I am still running MC 8.5.3 (with Symphony) I cannot master directly to H.265/HEVC - I am currently testing a conversion route via Shutter Encoder but haven't got this to work quickly enough yet.ĭoes anyone know if Shutter Encoder can work with a pair of audio/video mxf mixdown files from the timeline - and assemble the two files together for conversion to for example H.265? Right now I drag one video and the audio file and click Start Function, which works great, I would just really like a way to add all the videos first, then all the audios, and have it match the first video to audio, and then the second to the second, etc. Mixdown of video and audio tracks to mxf files for archivingģ. Ingest: Automatically transcode and replace existing media files. ![]() Digital cut to HDCAM master for archivingĢ. Batch Processing: Encode multiple files simultaneously. When my production is complete andf the timeline is fully rendered, I usually do the following -ġ. I'd be interested to hear how other MC editors tackle the mastering and archiving of their productions. ![]()
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